文章摘要

铁钟,夏翠娟,黄薇,朱永宁,刘梦悦.事件驱动的数据可视化交互设计:基于“数据叙事”的探索和实践[J].中国图书馆学报,2023,49(4):72~87
事件驱动的数据可视化交互设计:基于“数据叙事”的探索和实践
Event driven Interaction Design for Data Visualization:Exploration and Practice Based on “Data Storytelling”
投稿时间:2023-01-26  修订日期:2023-03-26
DOI:
中文关键词: 数字人文  数字记忆  数据叙事  数据可视化  交互设计  文化年谱  GLAMs
英文关键词: Digital humanities  Digital memory  Data storytelling  Data visualization  Interaction design  Cultural chronicle  GLAMs
基金项目:
作者单位
铁钟 上海戏剧学院、上海市虚拟环境下的文艺创作重点实验室 上海 200040 
夏翠娟 中国人民大学信息资源管理学院 上海 200031 
黄薇 上海图书馆 上海 200031 
朱永宁 上海交通大学 上海 200030 
刘梦悦 上海图书馆 上海 200031 
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中文摘要:
      随着美术馆、图书馆、档案馆、博物馆(GLAMs)等文化记忆机构的数字化转型,大批馆藏资源转化成多模态数据,大量经过规范整序和结构化组织的知识从资源和数据中被提取出来,供“数据叙事”分析和利用。以“上海年华”项目所建“上海文化总库”为数据源,通过“上海之源·文化年谱”展项,重构数字叙事模式,该组数据涵盖美术、出版、戏曲、文学、教育、音乐、电影等12个大类,时间跨度从1840至1949年,包含16 865条历史文化事件。根据事件之间的事理逻辑关系,建立非线性的时空关联关系,遵循交互式、艺术化的数据可视化设计理念,构建体现城市历史文化演化关系的数据艺术图谱,实现城市数字记忆的多维数字叙事;以“事件驱动”为基础,通过知识节点的主题领域和节点间关联强度进行分类,根据影响因子的数量与粒度生成宏观的时空可视化图谱,图谱以交互式的方式,多维度展示了馆藏资源内容之间的叙事性、互动性与关联性;在交互的过程中,赋予用户更多的互动性选择,通过非线性的数据关联,引导用户基于兴趣点建立属于自己的数字叙事逻辑。这种非线性可视化交互模式为跨机构的知识聚合与传播提供了新的方法与路径。图4。参考文献34。
英文摘要:
With the implementation of the national cultural digitization strategy,GLAMs has extracted a large amount of standardized and structured knowledge from resources and data. Some knowledge data comes from newspapers,old photos,books,celebrity files,maps,videos,etc. Data resources include the results of metadata description,OCR recognition,named entity recognition,and keyword tagging of digital resources. Data types include different formats such as image data,text based unstructured and semi structured data,structured data and semantic data,showing the characteristics of multi source heterogeneity and multi modality. These multimodal data are used in fields such as resource promotion,knowledge dissemination,and innovative services. Based on these multimodal cultural heritage resources,the interaction and virtual space constructed by digital technology are integrated to form a new “media language” and a new “narrative language”.
This article takes the “Cultural Chronicle” exhibition item of the Shanghai Library as an example,and uses event driven interactive data visualization design to help promote cultural heritage resources and spread urban culture. These data are multiple data sets that have been carefully processed and fine grained indexed by professional librarians from resources and data of various types,sources,and formats,and are organized and coded by semantic technology. Such a data set not only serves as a knowledge base for readers to consult,but also serves as a data snapshot of Shanghai's historical and cultural development process,reflecting the details and overall picture of the city's historical and cultural development from all aspects.
The innovation of this paper is that the “Cultural Chronicle” exhibition item is based on the multimodal cultural heritage resources in the “data infrastructure” oriented to humanities research,embodies the development and evolution of Shanghai's history and culture as a luxuriant tree of life,and displays Shanghai with six cultural dynasties. From germination to early formation,from transformation to resistance,modern culture has a new development process together with the birth of new China. Different from the traditional linear timeline,it highlights the interrelationships of important figures,social groups and landmarks in the development of modern Shanghai culture,and reveals how celebrities from different life backgrounds and cultural fields communicate and connect. Intertwined and connected,like lush branches,it presents the flourishing Shanghai style culture.
As a new model of “digital storytelling”,“data storytelling” can break the traditional single and linear narrative logic,establish an interactive context with users,and help users obtain the hidden meanings in large scale data in the process of continuous interaction. Discover new links and encounter new knowledge in fragmented data. Based on the framework of data storytelling,using data as a carrier,the cultural value behind the event is deeply excavated,so that research sources,hidden information,clear reasoning and visualization based results can be displayed and shared,triggering the audience's thinking about history and vision of the future. 4 figs. 34 refs.
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