Page 204 - Journal of Library Science in China, Vol.47, 2021
P. 204

ZHANG Wei, WANG Hao, DENG Sanhong & ZHANG Baolong / Sentiment term extraction   203
                                                       and application of Chinese ancient poetry text for digital humanities


               and “思妇” (37), “理想” (37), “苦闷” (37), “黑暗” (37), “送别” (36), and so on, reflecting that his
               emotional colorings are mostly focused on the longing for friends and relatives and the criticism of
               the ruling group’s desolation and corruption. A total of 4, 775 emotional terms are extracted from
               MENG Haoran’s poems, and the high-frequency emotional words are “自然” (36), “景物” (17),
               “朋友” (12), “隐居” (11), “垂钓” (9), “平淡” (9), “隐逸” (9), and “名山” (8) and so on, mostly
               reflecting the poet’s love for the landscape and his noble style of not pandering to the world, and
               his monasticism and reclusion. A total of 32, 483 emotional terms were extracted from DU Fu’s
               poems, among which the high-frequency emotional terms are “自然” (102), “人民” (68), “战乱”
               (43), “遭遇” (44), “凄凉” (31), “沉郁” (25), “思念” (25), “多病” (23), and so on, indicating that
               his poems mostly deal with social unrest, political darkness, and people’s hardships, and carry
               the color of realism of worrying about the country and the people. A total of 17, 684 emotional
               terms were extracted from LI Shangyin’s poems, and the high-frequency emotional terms were
               “身世” (54), “爱情” (52), “自然” (48), “相思” (31), “遭遇” (23), “痛苦” (23), “寂寞” (21), “凄
               凉” (21), and so on, indicating that his poems and texts focus mainly on male and female love for
               each other, mostly expressing the poet’s loneliness of being alone and his deep feelings of longing
               for his wife. The word “自然” appears in the high-frequency emotional terms of all four poets,
               reflecting the distinctive feature of ancient Chinese poetry that is good at blending emotion with
               scenery.


































                 LI Bai (李白)                         MENG Hao-ran (孟浩然)                                      DU Fu (杜甫)                                  LI Shang-yin (李商隐)
                            Figure 11. Emotional portraits of representative poets in the Tang Dynasty
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